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A girl sat at E2 looks up at the light bursting through the glass dome, therefore get wisdom, and with all thy getting, get understanding.
90 years ago, six-year-old Joan from Moss Side saw the King here, not expecting to return, aged sixty, to write her first essay on local history.
The girl’s skipped breakfast, can’t focus on ecology, a bee appears near her ear. A fellow worker, perhaps expelled from its hive, in search of sanctuary.
Izzy Wallman was ten minutes’ late for work the morning after the Blitz walking two miles strewn with broken glass to find an eager reader already there.
The bee lands on the girl’s tome, stripes aligned with lines, pleasing until it crawls over ‘extinction’. If only she paid attention in class, a crown of glory she shall deliver.
A bust of Erinma Bell formed of 50 firearms seized by police or surrendered during gun amnesties, the only weapon here is knowledge.
it’s the week before exams, nowhere to go, local library closed a month ago, exalt her and she shall promote thee. The girl googles, then opens the e-catalogue, types ‘apiology’.
On a trip to Italy, the first chairman of the Manchester Ship Canal Company fell in love with a marble girl reading, her poem still a mystery.
Head teeming, the girl from E2 makes for the cafe, joins a table of women with pens & paper. Below the marble girl’s gaze an ode to things not yet gone begins.
By Nóra Blascsók
Nóra performed this poem at the Festival of Libraries International Reception in June 2025. The poem explores the intersections of a library through time, focussing on Manchester Central Library and those who have occupied it over the years and as a physical place of belonging to the people who walk through its doors.
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